Michelangelo.ĭuring his reign, Julius II utilized his iconic status to his advantage, displaying his interest in the arts by placing himself on medals, emblems, and by commissioning specific artworks containing his image. On the wall above the main entrance door of the Sistine Chapel fresco of the Prophet Zechariah lower, with the face of Pope Julius II, le below the coat of the same pope. 1511–1512: Portrait of Julius II by Raphael, following the loss of Bologna.1509–1520s: Raphael Rooms in the Vatican Palace.1503–1512: The Cortile del Belvedere in the Vatican City. When Julius died, several of his commissions were still underway or unfinished at the time of his death. For these reasons, among others, Julius requested the magnificent and powerful images that are still so recognizable today. Several of his predecessors were poor, unjust, and impious rulers who caused people to doubt the papal seat and the Vatican’s monopoly on religion. They served political, spiritual and aesthetic purposes.Īlso, during his papacy, the lead up to the Protestant Reformation produced increased tension in Christianity, which caused the Catholic Church to lose influence and political power in Europe. His reasons for commissioning these, as well as other art works, were varied. Peter’s Basilica, and the frescoes of the four large Raphael Rooms, including the Stanza della Segnatura with the School of Athens and other frescos. He commissioned such projects as the painting of the Sistine Chapel ceiling, the reconstruction of St. His additions to the art collection of the Vatican may be Julius II's most impressive venture. While Pope Julius II is also remembered as the "Warrior Pope" for his Machiavellian tactics, he was also given the name of "the Renaissance Pope." He modeled his patronage practices on those of his uncle Pope Sixtus IV (1471–84), and began amassing large personal and public art collections and commissioning numerous civic and religious buildings when he served as a cardinal and Cardinal Archbishop under Pope Nicholas V and Pope Innocent VIII respectively. Artists such as Michelangelo, Raphael and Bramante were at the height of their careers during this time. The term High Renaissance was first used by Giorgio Vasari. Portrait of Julius II by Raphael, 1511–12, National Gallery
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